In Boccaccio's time, the Italian city-state began to take on a much more proactive role in prosecuting crime – one which superseded a largely communitarian, private approach. The emergence of the state-sponsored inquisitorial trial indeed haunts the legal proceedings staged in the Decameron. How, Justin Steinberg asks, does this significant juridical shift alter our perspective on Boccaccio's much-touted realism and literary self-consciousness? What can it tell us about how he views his predecessor, Dante: perhaps the world's most powerful inquisitorial judge? And to what extent does the Decameron shed light on the enduring role of verisimilitude and truth-seeming in our current legal system? The author explores these and other literary, philosophical, and ethical questions that Boccaccio raises in the Decameron's numerous trials. The book will appeal to scholars and students of medieval and early modern studies, literary theory and legal history.

Spinoza's Political Psychology advances a novel, comprehensive interpretation of Spinoza's political writings, exploring how his analysis of psychology informs his arguments for democracy and toleration. Justin Steinberg shows how Spinoza's political method resembles the Renaissance civic humanism in its view of governance as an adaptive craft that requires psychological attunement. He examines the ways that Spinoza deploys this realist method in the service of empowerment, suggesting that the state can affectively reorient and thereby liberate its citizens, but only if it attends to their actual motivational and epistemic capacities. His book will interest a range of readers in Spinoza studies and the history of political thought, as well as readers working in contemporary political theory.

Spinoza's Political Psychology advances a novel, comprehensive interpretation of Spinoza's political writings, exploring how his analysis of psychology informs his arguments for democracy and toleration. Justin Steinberg shows how Spinoza's political method resembles the Renaissance civic humanism in its view of governance as an adaptive craft that requires psychological attunement. He examines the ways that Spinoza deploys this realist method in the service of empowerment, suggesting that the state can affectively reorient and thereby liberate its citizens, but only if it attends to their actual motivational and epistemic capacities. His book will interest a range of readers in Spinoza studies and the history of political thought, as well as readers working in contemporary political theory.

In Dante and the Limits of the Law, Justin Steinberg offers the first comprehensive study of the legal structure essential to Dante's Divine Comedy. Steinberg reveals how Dante imagines an afterlife dominated by sophisticated laws, hierarchical jurisdictions, and rationalized punishments and rewards. He makes the compelling case that Dante deliberately exploits this highly structured legal system to explore the phenomenon of exceptions to it, crucially introducing Dante to current debates about literature's relation to law, exceptionality, and sovereignty. Examining how Dante probes the limits of the law in this juridical otherworld, Steinberg argues that exceptions were vital to the medieval legal order and that Dante's otherworld represents an ideal "system of exception." In the real world, Dante saw this system as increasingly threatened by the dual crises of church and empire: the abuses and overreaching of the popes and the absence of an effective Holy Roman Emperor. Steinberg shows that Dante's imagination of the afterlife seeks to address this gap between the universal validity of Roman law and the lack of a sovereign power to enforce it. Exploring the institutional role of disgrace, the entwined phenomena of judicial discretion and artistic freedom, medieval ideas about privilege and immunity, and the place of judgment in the poem, this cogently argued book brings to life Dante's sense of justice.

In Accounting for Dante, Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes--namely, merchants and notaries--as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793. In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career--from the Vita Nova, to the De Vulgari eloquenta, to the Commedia--to the interpretations and misinterpretations of his early lyrics by this bourgeois audience.

In "Dante and the Limits of the Law," Justin Steinberg offers the first comprehensive study of the legal structure crucial to Dante's "Divine Comedy." Steinberg reveals how Dante imagines an afterlife dominated by elaborate laws, hierarchical jurisdictions, and rationalized punishments and rewards. Steinberg makes the compelling case that Dante deliberately exploits this highly-structured legal system to explore the phenomenon of exceptions "to" it, introducing Dante to crucial current debates about literature's relation to law, exceptionality, and sovereignty. Examining how Dante probes the limits of the law in this juridical otherworld, Steinberg argues that exceptions were vital to the medieval legal order and that Dante's otherworld represents an ideal "system of exception." Yet Dante saw this system as threatened on earth by the dual crises of church and Empire--the abuses and overreaching of the popes and the absence of an effective Holy Roman Emperor. In his imagination of the afterlife, Steinberg shows, Dante seeks to address this gap between the universal validity of Roman law and the lack of a sovereign power to enforce it. Exploring the institutional role of disgrace, the entwined phenomena of judicial discretion and artistic freedom, medieval ideas about privilege and immunity, and the place of judgment in the poem, this is an elegantly argued book that persuasively brings to life Dante's sense of justice.

In Accounting for Dante, Justin Steinberg reexamines Dante's relation to his contemporary public, an audience that included those poets who responded to Dante's early work as well as the readers who first copied, preserved, and circulated his poetry. Based on original research of manuscripts and documents, Steinberg's study reveals in particular the importance of professional, urban classes—namely, merchants and notaries—as cultivators of early Italian poetry. Although not officially trained as glossators or scribes, these newly educated readers were full participants in an emergent vernacular literature, demonstrating at times a marked degree of sophistication in their choices of which lyric poems to include in their personal anthologies. Adapting their methods of memorializing contracts and keeping accounts to the collecting of medieval Italian poetry, these urban readers and writers made copying Italian poetry a crucial aspect of how they understood and represented themselves as individuals and communities. Steinberg describes how notaries and merchants transcribed Dante's poetry in nontraditional formats, such as in the archival documents of the Memoriali bolognesi and the register-book Vaticano Latino 3793. In bringing to light evidence of the urban reception of the early Italian lyric, Justin Steinberg restores the political, social, and historical contexts in which Dante would have understood the poetic debates of his day. He also examines how Dante continuously responded in his literary career—from the Vita Nuova, to the De Vulgari eloquentia, to the Commedia—to the interpretations and misinterpretations of his early lyrics by this municipal audience.